Showing posts with label Adobe. Show all posts
Showing posts with label Adobe. Show all posts

Thursday, October 21, 2010

Creating charts in Adobe Illustrator

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Office applications are getting very advanced these days offering all sorts of fancy features for data visualization. Graph generation is a standard feature in desktop applications like Microsoft Excel or OpenOffice.org Calc, but it can also be achieved in non-spreadsheet applications like Adobe Illustrator.

If you’re unfamiliar with the process of creating graphs in Adobe Illustrator, this article will help in giving you some insight into the work-flow. It might also help you decide whether Illustrator is the right tool for this kind of assignment.

[Offtopic: by the way, did you know that there is a Smashing eBook Series? Book #2 is Successful Freelancing for Web Designers, 260 pages for just $9,90.]

Adobe Illustrator offers 9 graph types to visualize data. You can choose from the following:

Column GraphStacked Column GraphBar GraphStacked Bar GraphLine GraphArea GraphScatter GraphPie GraphRadar Graph

There is also the possibility for making combinations from the existing graph types to achieve greater diversity. The only graph type that can’t be combined is the scatter graph.

Creating graphs in Illustrator is as simple as selecting the Graph Tool (from the Tools panel), clicking on your Artboard and dragging and thus forming the area size of the graph. It is also possible to type in the width and height of the graph, which is useful if you want to create graphs with specific dimensions. If you decide to type in the dimensions of the graph, you should bear in mind that those dimensions are applied to the whole graph object (including labels, legend and x, y values), not just the graph chart.

Once you create this graph size and shape you will see that it’s available as a single element (layer) in the Layers panel, usually with the name . This might seem confusing at first but you’ll get used to it very quickly.

Creating graphs in Adobe Illustrator is generally a straightforward task but once you get into advanced techniques of graph design, functionality can get quite annoying. You’ll be surprised to discover that basic tasks like scaling and aligning are not instantly applicable on graphs.

The reason for the initial exceptional lack of functionality of the graph objects in Illustrator is that they are quite simply, ‘objects’. That is to say, they are special groups of sub-elements that have a limited number of attributes the user can control. Graph objects are less flexible than usual Illustrator layers, layer elements and groups of layer elements.

Graph-layers in Creating Graphs With Adobe Illustrator

Here are most of the limitations of Adobe Illustrator’s graph creation functionality that are instantly noticeable:

Transform panel is not available for graph objects.No transform controls are available for selected graph objects, thus no instant scaling or rotation is possible.Graph objects cannot be aligned to other objects nor can other objects be aligned to them.Two or more graph objects cannot be grouped.It’s not possible to create a clipping mask from a graph object.A graph object cannot be transformed into a symbol.

Maybe it’s not really wise to initially dig for limitations, as you may get the impression that you’re left with very few things that you can actually do to graphs in Illustrator. Of course, that’s the wrong impression. As noted, creating graphs in Adobe Illustrator is generally a straightforward task.

But through knowing the limitations of your tool can actually help you plan early and work smarter.

Illustrator Graphs have sub-elements. The sub-elements are the brightest aspect of the graph creation process in Adobe Illustrator. They are flexible and you can do all sorts of modifications to them. From repositioning, scaling, mirroring, adjusting opacity and offsetting paths to applying special effects like brush strokes, glowing edges, pixelation etc. Sub-elements are your true friends as long as you don’t make further changes in the graph data!

The appearance of the following sub-elements can be modified:

lineslabelsdata pointsgraph legendsgraph shadowsvalue axisescolumnspieces of pie graphs

However, if you make a change in the graph data, you instantly loose the control over the sub-elements’ appearance and reset it to the bare minimum – fill + stroke. Actually, you reset the appearance of sub-elements with any action that causes the graph object to regenerate. That’s why, as even Adobe advises, the sub-elements in graphs should always be styled as the final design process of a graph.

Is it possible? Absolutely. As long as you’re aware that ungrouping graphs removes the possibility of further changes in the graph data. Having this firmly in mind, it is only useful to ungroup a graph object once you’re sure that you won’t have to revisit its “Graph Data”, “Graph Type” or “Graph Design” windows.

Graph ungrouping means simultaneously an increase AND a decrease in flexibility.

Ungrouping-graphs in Creating Graphs With Adobe Illustrator

Ungrouping the Graph Object means an increase in flexibility because it makes all graph sub-elements behave like usual Illustrator layers, thus unleashing the full power of layer editing in Illustrator.

It is at the same time a decrease in flexibility because it’s a one-way road. After the ungrouping, the graph object turns into a group of layer elements (as funny as this sounds), and looses its touch with the special graph creation functionalities.

So, it’s wise to use Adobe Illustrator for designing graphs one step at a time. First prepare graph data, than design the graph. This might seem too obvious, but it’s very, very easy to get carried away in the creative process, forgetting about the two faces (before and after ungrouping) of the graph object. I know, as I have made this mistake several times.

That’s a very legitimate question and it deserves a decent answer.

You most certainly can select several graph objects at once, and apply various effects and transformations to them. With the help of the Group Selection tool, you can even select sub-elements from different graph objects and style them as you wish. Besides other things, you can also change the Graph Type of multiple graph objects at once.

Unfortunately, what you can’t do is change graph data on more than one graph object at once. It’s impossible and it’s a shame. Instead of being able to change the data of 50 various graphs in an instance, you will need to do 50 separate changes (and waste valuable time).

Graphs-in-legacy-formats in Creating Graphs With Adobe Illustrator

Every incremental release of Adobe Illustrator offers options for saving working files in legacy formats. This way you can ensure that your designs will work in older versions of Adobe Illustrator.

However, even though the possibility is there, the practical value of this Illustrator feature, for graphs, is minimal.

While preparing the final release of “The Graphs2”, saving to legacy formats added extra “features” to my designs. For example, while working on a legacy AI file, after editing the graph data on a randomly chosen graph object, the graph object repositioned itself to false coordinates, and made the design appear to be broken. After testing this on other graph objects, I figured that it was a rule and not an exception. I wasn’t able to get rid of this “feature” until I decided to minimize the backwards compatibility of my designs and save into Illustrator CS4 format.

Adobe does warn about the consequences of saving in legacy formats, but this is certainly a feature for Illustrator Graphs that could be improved.

It would be really nice not to have to worry about loosing touch with the graph data after graph ungrouping. Why do graph objects have to be limited? In fact, why do graphs need to be generated in the form of objects? Why not serve them in the usual way – as a group of separate layers?

Perhaps Adobe should spend more time modularizing the graph creation functionality and serve them throughout the whole Creative Suite. Data visualization is important and shouldn’t be treated as a gray zone, as a pending process in the development of the Creative Suite, especially not in the development of Adobe Illustrator.

In terms of flexibility and accessibility, Adobe Illustrator’s graph creation functionalities are not polished at all. The main features are very obvious, but a lot of small pieces are missing for a rock solid graph creation module.

Axes: Though it might be illogical for some, why isn’t there an option for generating graphs without value axes? Hiding them manually takes additional time and it’s specially annoying if you need to use the “Show All” option for hidden layers, while trying to exclude the value axes from reappearing. An extra option that will allow hiding and showing of value axes is needed in the “Graph Type” window.

No-soft-shadows-for-graphs in Creating Graphs With Adobe Illustrator

Shadows: Why would you implement a shadow sub-element for graph objects if you don’t provide proper options to control its appearance? And, who needs rough shadows these days when ray-tracing has spoiled us like children? We need realistic shadows for graph objects in Illustrator. We need to be able to control the light angle, the dens and the opacity of the shadow, the level of softness. We need all things that you normally get when applying a “Drop Shadow” layer style on a Photoshop layer. While saying this, there are manual ways of getting smooth graph shadows, like applying “Drop Shadow” effect on sub-elements or applying “Feather” effect on the default graph shadow sub-element.Inter-object styling: What’s the point of providing styling options for graph sub-elements, when there’s no freedom in choosing when to apply them. The appearance reset for graph sub-elements has to go away! Data has to be separated from presentation. We need to be able to make unlimited changes to graph data regardless of the appearance of the graph object or its sub-elements. We need to be able to change things whenever we feel like we want to, not necessarily last.

Here is a summary of the most important features of graphs in Adobe Illustrator.

Graphs are special groups of sub-elements and have a limited number of attributes you can control.You can create 9 main types of graphs in Adobe Illustrator.You can import graph data from external files.You can copy and paste data from spreadsheet applications into graphs in Illustrator. You need to paste the data into Object ? Graph ? Data window for this to work.

Paste-data-from-spreadsheet-apps in Creating Graphs With Adobe Illustrator

If you ungroup a graph you cannot make changes to its data.You can apply all sorts of effects to the sub-elements of a graph and not so much to the graph object itself.Graphs and symbols do not get along quite well. A graph object cannot be converted into a symbol. However, there is an option for importing symbols into graph designs.It is possible to create graphs with custom designs (by including images and symbols), but we won’t explore this in detail in this feature. Maybe you can write a great article on this topic?You can copy and paste charts from Microsoft Excel or OpenOffice.org Calc into Illustrator.Illustrator offers excellent support for exporting graphs in SVG file format. Graph data remains editable in Illustrator, for SVG files created with Illustrator.If you require advanced graph creation features, make friends with spreadsheet applications in famous Office suites.

Here are a few quick tips (shortcuts) that might come in handy for beginners or may act as a reminder for advanced Illustrator users. These are all obvious things that will help you from wandering aimlessly around Illustrator menus and the workspace.

Instead of going to Object ? Graphs ? Data…, anytime you need to access the data of a specific graph, select the graph object and double click the Column Graph Tool icon from the Tools panel. Or, you can achieve the same by selecting the graph object, choosing “J” from the keyboard and then pressing the “Enter” key.Right click a graph and you will find another quick way to access specific options for graph objects, including: Type…Data…Design…Column…Marker…

Quickly-edit-graph-object-data in Creating Graphs With Adobe Illustrator

Instead of selecting graph sub-elements within isolation mode, use the Group Selection Tool to select them without isolating your view in the workspace.Click and drag a graph while holding the “Alt” key on the keyboard, to quickly duplicate it.Delete graph objects with “Backspace” or “Delete” from the keyboard.If you want to create Line graphs with curved lines apply “Round Corners…” effects (Effect ? Illustrator Effects – Stylize ? Round Corners…) to line sub-elements.If you want to create a Pie Graph with empty space in between pieces, apply an “Offset Path…” effect (Effect ? Illustrator Effects – Path ? Offset Path…) to the graph object, and a miracle happens!If you want to create a 3D graph, apply an “Extrude & Bevel…” effect (Effect ? Illustrator Effects – 3D ? Extrude & Bevel…) to the graph object. If you don’t want to transform the whole graph object, apply “Extrude & Bevel…” effects to specific sub-elements you want visualized in 3D.If you want to use “Offset Path…” effect together with “Extrude & Bevel…” on a single graph object or a single sub-element, make sure you place the offset effect below the Extrude & Bevel in the Appearance panel and you’ll be fine. Otherwise you’ll get the offset plane extruded also.Don’t forget to use the “Drop Shadow…” effect (Effect ? Illustrator Effects – Stylize ? Drop Shadow…) as a replacement to the poor shadow feature that’s served by default for some graph objects.

I used Adobe Illustrator to create “The Graps2” and I can say it was an interesting experience. It wasn’t as delightful as I would have liked it to be but it sure was challenging.

After reading the above article you may feel discouraged in using Illustrator for graph design. What I would certainly recommend is at least trying Illustrator for creating graphs. It’s the only way of getting in touch with the work-flow and making a personal judgment of whether Adobe Illustrator is mature enough for your graph creation needs.

At the end of the day, keep in mind that with Adobe Illustrator you’re creating vector art. Vector art can be re-sized infinitely, without any consequences in terms of graphics quality, thus can be fitted in almost any type of medium.

(afb)


View the original article here

Thursday, September 23, 2010

Useful technology Adobe Photoshop, tutorials and tools

As web designers, we always have something new to learn. Over the last decade our workflow has changed dramatically — it’s become more sophisticated and highly diversified. Not only do we have a much larger variety of improved tools to use; there’s also an endless stream of new techniques emerging and spreading within the web design community via social networks.


And this is where the opportunity to learn new useful, practical approaches and techniques comes in. We can learn by exploring the different design approaches other designers have taken, when solving their problems and apply these approaches to our work to become more productive and skilled. Therefore, our editorial team is permanently looking for interesting techniques, tools and tutorials, which we carefully select and present in round-ups on Smashing Magazine. You needn’t love our lists, but they often will give you some useful ideas and advice.


Below you’ll find an overview of new useful Adobe Photoshop techniques and tutorials that we’ve found and collected over the last months. We sincerely hope that at least some of the techniques presented there will help you improve your graphic design skills in Adobe Photoshop. And sincere thanks to all designers and developers whose articles are featured in this review. We respect and appreciate your contributions to the design community, folks!

[Offtopic: by the way, did you already get your copy of the Smashing Book?]


Create an Awesome Number-Based Illustration
In this tutorial, you will how to combine the power of the pen tool with some patterns and shapes to create an original and vivid illustration. You’ll also learn some tips for workflow, along with a variety of design skills that you can apply in your own design works.

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iPhone Photoshoot Video
Michael Flarup recorded 6 hours of work with 1000+ layers in Photoshop and made a video speeding up the process. The illustration was designed for a Smashing Magazine’s article How to Market Your App.

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Blood and Milk Typography Poster in Photoshop
This tutorial shows you how easy with few basics steps you can create original typography poster in Photoshop. With this technique you can create interesting flyers for clubs or you can use it in advertisements.

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Adobe CS5 Design Premium Box Artwork in Photoshop
In this tutorial you will learn how to create a design like the one you’ll find see on the Adobe CS 5 Design Premium Box. Actually, it’s fairly simple and you will be playing with pattern a lot. If you want to create the design of the Photoshop CS 5 box, for example, it will be pretty much the same process.

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Simple Roy Lichtenstein Style in Illustrator and Photoshop
Learn how you can apply the Halftone filter in Photoshop and the Width Tool in Illustrator CS 5 to create an image inspired by Roy Lichtenstein’s style.

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How To Design a 3D Wooden Box in Photoshop
In this tutorial, you’ll learn to make a Wooden Box with a realistic touch. Along the way, you will be learning various tips such as using layer-sets for putting a group of layers together that you’d want to move/resize alt at a time. With layer-sets, the tedious work of selection of multiple layers for moving/resizing can be avoided.

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Ursus – Brief Process Examination by Justin Maller
This post is a case study or a brief process examination sent by Justin Maller, in which he explains how he created the original and abstract Ursus artwork.

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Design a Vintage Radio Icon in Photoshop
In this Photoshop Tutorial, you’ll learn how to design an old vintage radio using simple shapes, gradients, patterns and textures.

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Brushing Up On Photoshop’s Brush Tool
Developing Photoshop brush skills takes time, but it is well worth the effort. This article outlines the plethora of options that Photoshop affords, so that you can efficiently create and use brushes like the Old Masters.

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Create a Colorful Space Scene in Photoshop
In this tutorial you’ll learn how to create a colorful illustration that includes the Earth, the Moon, a starry sky and some beautiful light effects.

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Realistic, High Quality Printer Icon in Photoshop
In this long tutorial you will learn how to use vector masks and layer styles in Photoshop to create a slick looking ink printer reminiscent of some Canon and HP ink printers.

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500+ Photoshop Brushes for Creating Brush Strokes
This review presents Photoshop brushes that will allow you to easily create realistic paint brush stroke effects. There are 18 free brush sets included, overall more than 500 brushes.

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Master Repeating Patterns in Photoshop
Ths tutorial explains how a repeating pattern can be created given that there are spaces around the original shape. In the process, you will get a grasp on creating repeating patterns in Photoshop.

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Creating a Furry Possum in Photoshop
In this detailed tutorial, you will learn some techniques used to create the possum (one of the possum brothers) from the animated cartoon-Ice Age.

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Simple Underwater Scene in Photoshop
This tutorial shows you how to create a underwater scene with bubbles and light effects.

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How to Create a Photo Realistic Camera
This article demonstrates a powerful combination of vector shapes, layer styles, and manual drawing to create a photorealistic camera. In fact, the result is so realistic that you’d think it’s just an ordinary photo.

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Making a Book of Magical Playground Scene
This tutorial will show how to create a fantasy book scene. The designers will be using various advanced Photoshop techniques to make the composition as realistic as possible.

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Photoshop Poster Design Tutorial
This tutorial shows you how to design a great looking poster to celebrate Adobe Photoshop’s 20th Anniversary.

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Opacity + Photoshop Blend Modes = Pattern Magic
When it comes to creating patterns, the ability to duplicate a layer is one of Photoshop’s greatest features.The trick is to pay attention more to how shapes interact than to how a shape looks on its own. This article explains this and other techniques for creating patterns in Photoshop.

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Create a Photo Realistic USB Cable in Photoshop
In the right hands, Photoshop’s pen tool can be a very powerful tool for creating incredible; even photo realistic images. This tutorial demonstrates exactly that, and shows how to draw a photo realistic USB cable in Photoshop.

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Fresh and Excellent Photoshop Tutorials For Designing Posters
With Photoshop manipulation tools, you can create and edit images for Web and print. Below you will find some tutorials on poster design from 2010.

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How to Create a Retro Sci-Fi Computer Game Poster
Combine stock photos and design resources to create an attractive retro sci-fi themed game poster that is inspired by Atari games of the 80s.

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Create a Calendar Using Scripting in Photoshop
This tutorial explains how to generate a full year, custom background calendar in Photoshop using JavaScript.

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5 Advanced Photoshop Techniques for Web Designers
Sometimes you need that extra Photoshop knowledge in order to achieve the look you need. In this step-by-step tutorial, Marko Prljic shows you how to create five killer effects for your site. You many want to check the second part of the article , too.

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Creating Retro Folded Typography Using Photoshop
In this Photoshop tutorial, you will learn to create retro-looking text that seems like it’s constructed using folded strips of paper.

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40+ Gorgeous and Artistic Typography Tutorials Using Photoshop
An overview of professional creative step-by-step typography tutorials using Adobe Photoshop which can enrich your design skills and improve the quality of your work.

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How to Create Inset Typography in Photoshop
In this beginning-level design tutorial, you’ll learn how to apply a beautiful and easy text treatment in Photoshop: the inset text effect.

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Cool Text Effect with the Puppet Warp Tool in Photoshop CS5
This tutorial will show you how to create a text effect using a photo of a rope and the Puppet Warp tool.

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3D Water Text Effect with Repoussé in Photoshop CS5
In this tutorial you’ll see how to create a water text effect with Photoshop. Even though it might look complex, it’s a very simple effect. You will be using the new Repoussé tool and then some stock photos to create the effect.

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Create a Distressed Vector Typographic Poster Design
Follow this step by step walkthrough of Chris Spooner’s recent design process for the ‘Spectrum’ poster. Starting with custom made type in Illustrator, you’ll move vector graphics into Photoshop for some serious distressing with Photoshop brushes and blending modes.

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How To Make Digital Photos Look Like Lomo Photography
A step by step tutorial on how I take a digital photo and make it Lomoified. Don’t forget to create an action script once you get this down, it will save you a lot of time.

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Uncovering Toy Cameras and Polaroid Vintage Effects (With Photoshop Tutorials)
Below are a list of the most famous toy cameras and some tutorials that can be used to recreate their famous effects.

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50 Time Saving Photoshop Actions for Enhancing Photos
Here are 50 excellent Photoshop actions that can add professional looking enhancements to your photos with the click of a button.

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100+ Outstanding Photoshop Actions to Enhance your Photography
Have you ever seen photos in magazines or on the web and wondered how they achieved that look? This post presents over 100 Photoshop actions that will help you achieve some of these looks and save you some time in the process.

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A Perfect Lie in Photoshop #2
In this Photoshop Tutorial Cameron Rad will present us what he has found out over this last year of Photoshop experiments with skin retouching.

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20 Beautiful Photoshop Montage Tutorials
In this round-up, you’ll look at 20 beautiful Photoshop montage tutorials that teach you step by step how to create these amazing photo composites.

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How to Make a Photoshop Montage
Anyone can cobble together a few photos and textures and create a humdrum montage. To elevate yours beyond this it takes a few simple tricks using Photoshop’s array of tools. This tutorial explains how to create a Photoshop montage in 19 steps.

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80+ Photoshop Actions for Giving Your Pictures a Vintage Look
This post round-ups over eighty Photoshop actions that will add vintage or retro effects to your photos.

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Create Animations in Photoshop
After Effects is the go-to Adobe application for creating both simple and complex animations. However, for those users that either don’t have the time to learn an entire new application or simply don’t own a copy of After Effects, Photoshop has incorporated very similar, albeit scaled back, functionality.

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Learn How to Draw Hand-crafted Pixel Art in Photoshop
In this tutorial, an illustrator Russel Tate teaches you how to draw with pixels. You’ll learn how to create artwork in the style of eBoy and Army of Trolls.

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Create a Camera Lens Icon in Photoshop (Screencast)
In this tutorial, you’ll learn how to create a camera lens icon using Photoshop. Duration of the screencast: 30 minutes.

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Learn Photoshop: All of the Basics for Beginners
This post is intended for designers or aspiring designers who either want to get started with Photoshop or have limited experience and are looking to improve. With this post you’ll find links to plenty of resources to teach you all the basics and fundmentals of Photoshop.

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Photoshop 101 – Working with Slices
In this tutorial you’ll learn how to use the slice tool and show you some easy methods of slicing up your designs.

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Unveiling Photoshop Masks
In this article, you’ll explore the technical aspects and creative advantages of incorporating masks into your workflow.

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12 Common Photoshop Mistakes, Misuses and Abuses
This article presents a list of 12 common mistakes, misuses and various ways new users abuse Photoshop.

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Mastering Photoshop: Unknown Tricks and Time-Savers
Collected here are some lesser known but extremely useful shortcuts. Many of these are not documented in the “Keyboard Shortcuts” menu, and some of them don’t even have equivalent menu options.

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Taking Photoshop’s Curves Beyond Highlights and Shadows
Read on for more details about what Photoshop curves are, as well as how to use them properly for your designs.

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Getting to Know Clipping Masks and Layer Masks in Photoshop
This article outlines the differences between the layer mask and the clipping mask in Photoshop.

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Photoshop Android GUI Set, Great freebie.
This design pieces are brought to you thanks to our design family at Iconshock, which is a quote of faith regarding the quality of the set. The package includes fully editable Photoshop files, original fonts and previews, everything that you may need in order to customize your set according to your preferences. Please let us know your opinions and feel free to share this amazing gift with your friends, remember that you will always find the best articles and resources only here, at Webdesignshock.

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60 High Quality Photoshop PSD Files For Designers
Photoshop .PSD file reveals the techniques used on a specific design, and it also tells us the style of the creator and most of the time there is something new we can learn from it. You’ll get quite an overview of interesting techniques in this collection of PSD files.

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Free PSD: Facebook Fanpage Template
A Facebook Fanpage mock-up with editable text, posting times etc. You may want to check the Free PSD Twitter Background Template, too.

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Modern UI and Layout Tutorials for Photoshop
In this round-up you’ll find many current web design Photoshop tutorials that cover not only web page layouts, but also web app layouts, mobile UI and design elements such as buttons, search boxes, headers and footers.

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How to Effectively Organize your Photoshop Layers
This tutorial outlines how to create organized, designer and developer friendly PSD files. This is in no way the only solution, but hopefully it will encourage better practice in the web design world.

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Preparing Photoshop Files for Web Developers
Designers can help their counterparts or clients before a design hand-off by taking 10 to 15 minutes to prepare files in a consistent and organized manner that can potentially save developers hours of production time. As an added bonus, an organized Photoshop file will save designers time by minimizing development questions after the file has been handed off for coding.

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Photoshop Variables: How to Import External PSD Smartly?
From the article: “A while back, I discovered a system that enables designers to say goodbye to opening 23 PSD files just to change the header color. When a change is required, we can just change it in one place.”

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How to Code up a Web Design from PSD to HTML
Learn how to code up a complete mockup in HTML and CSS, ensuring the code is semantic and standards compliant. You’ll then add some finishing touches with a spot of jQuery.

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Setting Up Photoshop For Web, App and iPhone Development
This article addresses the issues in trying to match colors in images to colors generated by HTML, CSS or code.

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Clean Up Your Photoshop Swatches and Styles
From the post: “If you’re always grabbing the eye-dropper to get colors and copying/pasting layer styles, chances are you’re wasting time and getting innaccurate results to boot. So what’s a good Photoshopper to do? I’ve created two empty palettes for you. Just download them and follow the directions below.”

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Divine
Divine creates websites from Photoshop to WordPress promptly. Basically, Divine is a plug-in that sits on top of Photoshop. Once you’ve finished designing in Photoshop, launch Divine plug-in in Photoshop, assign WordPress roles to the main elements (e.g. #footer, #header, etc.), and then the plug-in will prepare all the files you need. Once you set FTP access, the tool uploads the theme automatically to your server. The tool is free.

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Open With Photoshop
Open With Photoshop is a Firefox extension that allows you to send any image via right click context menu from the browser directly to the Photoshop.

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Why We Don’t Deliver Photoshop Files
Occasionally a potential client will ask you to give them Photoshop comps as the final deliverable, to be coded either by an internal implementation team or a technical partner. Some designers don’t do that. Here’s why.

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If Photoshop Was Batman, Then Illustrator Would Be…
From the article: “Perhaps as a direct result of too much Batman: Arkham Asylum, I found myself asking the question: If Photoshop was Batman, what would Illustrator be? In this silly little article, I explore some of the intriguing possibilities.”

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Top 10 Photoshop Feature Requests
This post presentes some of the top 10 most requested features that he believes would make Photoshop a more powerful and time saving tool.

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Photoshop CS6 wish list
You may want to check out this Photoshop CS6 wish list, too. Do you agree with the features mentioned there?

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The Darwinian Evolution of Photoshop
What does a top notch graphic designer have in common with an amateur photographer who uploads his weekend pictures on Facebook? They both love Photoshop! This infographics presents the evolution of Photoshop in a quite unusual, original way.

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